Categories
Tools and Topics

Project Management

Project management is a foundational network of skills to initiate, plan, execute, and successfully meet digital humanities objectives.


Resources

Project Management Basics

Melissa Jerome and Hélène Huet from the University of Florida outline steps for successful project management and apply them to DH.

PM4DH

The Emory Center for Digital Scholarship created “Project Management for the Digital Humanities” to provide a curriculum for managing digital projects across multiple settings.

Development for the Digital Humanities

An online repository with training materials for managing DH projects.

Categories
Projects and Courses

Exploring Caribbean Literature through Archival Research & Creative Writing

Dr. Rosamond S. King (Brooklyn College, part of the City University of New York)


The archive assignment for Caribbean Literature asks students to examine how historical constructions of race are reflected in photography.

Goals: Archive Assignments

  • Use online archives and databases to conduct image or photo research
  • Conduct photo analysis on chosen images
  • Consider the motivations and identity of the photographer, the photo’s context, and how race is depicted in the photos
  • Learn about metadata, and what the metadata reveals about the images
  • Bridge creative writing and analysis through poetry

Outcomes & Deliverables

  • An effective photo analysis of the chosen image, improved metadata for the chosen photograph, and an essay on the analysis and their chosen revisions to the metadata.
  • An original poem inspired by an archival photograph

Resources

Photo Analysis Assignment

Student assignment to analyze race and positionality in archival photographs. (Shared under a CC BY-NC 4.0 license.)

Poetry Archive Assignment

Guidelines for Dr. King’s unit assignment on writing ekphrastic poetry inspired by archival photographs. (Shared under a CC BY-NC 4.0 license.)

Caribbean Photo Archive

A rich collection of over 3,000 photographs amassed by archivist Patrick Montgomery, now held by the Art Gallery of Ontario

Categories
Tools and Topics

Minimal Computing

In a virtual session, Alex Gil (Digital Scholarship Librarian at Columbia University Libraries) discussed the value of minimal computing as a method of engaging digital humanities under constraints of software, network capacity, power, and other aspects.


Resources

The User, the Learner, & the Machines we Make

Alex Gil challenges scholars to ask themselves “How much do I need?” in terms of the technology they use in research and teaching, particularly in relation to concerns of research dissemination, access, and sustainability.

Design for Diversity: The Case of Ed

Alex Gil presents a case study on “Ed,” a system for producing online digital editions.

Minicomp/Wax

Wax is a resource which can be used to create scholarly exhibitions through a minimal computing process. Wax is an excellent tool for scholars who may not yet have access to or don’t want to use a lot of resources to create an exhibition.

The Command Line Crash Course

The Command Line Crash Course is a book providing a straightforward guide on how to use the command line to do basic computer programming. While not an exhaustive guide, it is meant to benefit beginners who have no previous programming experience.

HTML and CSS Courses on codeacademy.com

Codeacademy.com offers beginner-friendly online courses to learn HTML and CSS. These courses can support users who want to build a website, or simply enhance their digital literacy!

Categories
Tools and Topics

Copyright & Ethical Reuse

Legal and ethical considerations can be difficult to navigate when teaching with digital tools and incorporating media from different collections and communities across international borders. Knowing the basics–including when you and your students can use materials without permission–is a good first step.


Presentations

Navigating Copyright to Create and Share DH Projects

UF librarian Perry Collins addresses the basics of copyright and intellectual property, including topics such as fair use/fair dealing, what to keep in mind for international initiatives, and ways that ethical frameworks might address places where copyright falls short.

Documenting Personal and Community Stories

UF librarian Perry Collins provides an overview of documenting oral histories as well as ethical and copyright guidelines to follow when collecting and sharing oral histories.

Resources

Public domain in the U.S.

If you are scanning, copying, or sharing materials in the United States, you might need some help navigating a complicated history of copyright laws. This chart by Peter Hirtle can help you decide if a work is in or out of copyright.

Ethical perspectives

Copyright law is largely focused on individual creators as rights owners. Local Contexts began as one effort to support “Indigenous sovereignty over cultural heritage,” focusing on the digital environment.

International copyright

Wikipedia is one great place to get started when you want to learn the basics about copyright in an international context.

Contact: Perry Collins

dLOC Copyright Liaison and University of Florida Librarian
she | her | hers

Perry is available to support the broader dLOC community of scholars, students, and practitioners in getting started with copyright and related ethical issues. Perry may also be able to help identify local experts within your own institution or nearby.

Categories
Projects and Courses

A Connected Classrooms Project: Transoceanic Experiences of Indenture

Dr. Anita Baksh (LaGuardia Community College) and Dr. Laëtitia Saint-Loubert (Université de la Réunion)


Students will study experiences of indentured labor in twentieth- and twenty-first-century literature from a transoceanic perspective and work together with an international partner to analyze, interpret and produce a translation of a literary text related to Indian indentureship writing.

Project Goals

  • For five weeks, students will develop projects with international partners using a variety of digital tools and platforms as part of a Collaborative Online International Learning (COIL) model.
  • Focuses on narratives of indenture in Indo-Caribbean, Indo-Mauritian and Indo-Reuinionese writing.
  • Each week, students will learn key terms and themes related to experiences of indenture such as working conditions, inter-ethnic relationships, gendered experiences, languages, and Indian culinary and cultural traditions.
  • Students will be exposed to French and English languages through project literature as well as introduced words and expressions from various Creoles, Hindi, and Bhojpuri.

Outcomes & Deliverables

The project encourages digital engagement between institutions with various linguistic backgrounds to learn about indentured labor from a transoceanic perspective and further decolonize curricula. Students will submit final translation projects and a reflection.

Resources

Project Lesson Plan

Schedule with descriptions of assignments and suggested bibliography (Shared under a CC BY-NC 4.0 license.)

“Coolies: How Britain Re-invented Slavery”

A video that helps introduce key themes in the project’s first week.

Institute Reflection

Laëtitia’s perspective on the institute experience.

Categories
Projects and Courses

Storytelling through Oral History & Digital Timelines in a High School English Class

Dr. Erin Zavitz
(Bosque School)


We’re focusing on learning more about ordinary people’s lives and understanding how everyone has a story to tell even if it’s not one that makes it in a book.

Project Overview: Oral History

  • 10th Grade (private High School) English course project
  • Conduct an oral history interview with an individual of your choosing
  • Create an interview plan, including description of the narrator, interview location, interview technology, letter to the narrator, and questions
  • Obtain informed consent
  • Complete a video reflection in which you reflect on your experience and what you learned through the oral history interview

Outcomes & Deliverables

Students reflect on the importance of storytelling in the context of the texts they read in class, and acknowledge the importance of how we tell stories as well as how those stories get told.


In the past I have had students make their own timelines, but I’ve found that having too many people on one spreadsheet is a disaster. This time, I entered their data in Timeline JS and shared the versions with them for a peer review. . . By having them work in groups and share their work, they were more engaged with the entire process.

Project Overview: Timeline Biography

  • Group activity in which students create a timeline of William Shakespeare’s life in preparation for reading The Tempest
  • Conduct biographical research and compare important life events and their relevance
  • Data is entered in Timeline JS and reviewed by class

Outcomes & Deliverables

Students learn about Shakespeare’s life and the historical context when he lived, better understanding how he may have been influenced when writing The Tempest.

Resources

Oral History Assignment

Rationale and instructions for oral history assignment (Shared under a CC BY-NC 4.0 license.)

Shakespeare Timeline Assignment

Complete instructions for timeline assignment (Shared under a CC BY-NC 4.0 license.)

Tools & Topics: Oral History

Learn more about the oral history presentations from the 2019 institute, and find relevant resources

Categories
Projects and Courses

A Phenomenology of Gede: Thinking with the Dead in Haiti

Dr. Nathan Dize (Vanderbilt University)


This course proposes a study of Haitian literature through the lens of Gede as authors transgress temporal, spatial, and linguistic boundaries to communicate with and through the dead.

Course Goals

Three objectives for this course:

  • to familiarize students with a broad spectrum of Haitian writing about and through the memories of the dead;
  • to facilitate student exposure to Haitian modes of thinking and religious praxis;
  • and to develop skills in identifying, interpreting, and constructing historical narratives that foreground the voices of the dead through written and presentational assignments

Outcomes & Deliverables

The course emphasizes student research in digital collections of Caribbean primary and secondary sources to facilitate close reading of textual and visual materials.

Resources

Course syllabus

Schedule with descriptions of assignments and links to digital resources (Shared under a CC BY-NC 4.0 license.)

Vodou Archive

The course made heavy use of this collection, which includes over 300 photos, texts, video, and scholarly works.

Institute Reflection

Dr. Dize’s perspective on the institute experience

Categories
Tools and Topics

Oral History

Institute participants discussed oral history as a way to engage students and collect perspectives across communities. The institute focused on collecting and sharing oral histories, including relevant tools and ethical issues.


Presentations

Using Oral Histories in the Classroom

Dr. Sharon Austin from the UF Department of African American Studies shares how she incorporates oral histories into her courses, and the benefits of using these resources in the classroom to incorporate firsthand accounts and testimonies and in depth information on particular topics which may not be found in other resources.

Documenting Personal and Community Stories

UF librarian Perry Collins provides an overview of documenting oral histories as well as ethical and copyright guidelines to follow when collecting and sharing oral histories.

Practical Approaches to Conducting Oral History Projects

Paul Ortíz the director of the Samuel Proctor Oral History Program at UF reviews basic requirements and potential deliverables for oral history projects.

Resources

Oral History in the Digital Age

This collaborative resource provides information on documenting oral history, ethics and copyright issues and examples of how oral history is used in libraries, museums, the classroom, and more.

Documenting the Now

UF librarian Perry Collins provides an overview of documenting oral histories as well as ethical and copyright guidelines to follow when collecting and sharing oral histories.

Haitian Diaspora Oral Histories

This collection at the University of Miami includes interviews with artists, activists, and educators of Haitian descent.

Categories
Projects and Courses

Roots of the Commonwealth: Caribbean Provisions from the British Empire to the 21st Century

Dr. Keja Valens, Salem State University


We will consider literary, historical, and archival materials as we work to chart the ways that provisions have been planted and transplanted, prepared and consumed, imagined and depicted in relation to ideas of indigeneity, independence, and community in the Caribbean and its diaspora.

Course Overview

  • ENG 715: Topics in Digital Studies, a graduate-level course
  • Examine and use concepts and practices of postcolonial digital humanities to trace literary, culinary, agricultural, and economic paths of ground provisions with a focus on provisions such as yuca, yam and plantain in and through the Caribbean from the 15th through the 21st centuries.
  • Draw course materials from the Early Caribbean Digital Archive, the Digital Library of the Caribbean, HathiTrust, the Internet Archive and other similar sources to develop digital projects that include mapping, timelines, and curated exhibits.

Outcomes & Deliverables

Students completed a series of assignments focused on critical analysis of primary sources and interpretation through digital tools. They completed reflective writings and developed “Provisions,” a multi-exhibit Omeka project.

Resources

Course Syllabus

Spring 2020 schedule with links to additional resources and readings (Shared under a CC BY-NC 4.0 license.)

Assignment: Mapping & Meaning

Designed to support critical and conceptual thinking about maps (Shared under a CC BY-NC 4.0 license.)

Assignment: How are West Indians Represented in the Archive?

Reflecting on Lady Nugent’s Journal (Shared under a CC BY-NC 4.0 license.)

Exhibit: Provisions

A series of student-created Omeka exhibits on the role of ground provisions such as yams in Caribbean foodways

New Digital Worlds

Students read Dr. Roopika Risam’s book throughout the semester.

Institute Reflection

Keja discusses how the institute impacted her course.

Categories
Blog Posts Reflection

Reflection: Rachel Denney

Rachel Denney (Ph.D. candidate in Women, Gender, & Sexuality Studies, University of Kansas) shares how the institute supported peer networking.


The Migration, Mobility & Sustainability: Caribbean Studies & Digital Humanities Institute gave me the unique opportunity to connect with scholars from across the U.S. and the Caribbean while gaining hands-on experience with the latest technology in digital humanities. As a researcher of the Caribbean in the Midwestern U.S., it’s rare that I have the chance to interact in person with other scholars in my field. The Digital Humanities Institute brought in some of top scholars in Caribbean Studies and I was able to establish invaluable connections in a welcoming small group setting, as opposed to the intensity of
a large international conference. These connections have extended beyond the in-person institute with the regular virtual meetings (which were great preparation for the all-virtual experience of the spring semester). Many of these connections have resulted in professional collaborations on new and exciting research.  

Aside from the personal and professional connections, one of the greatest benefits of the Digital Humanities Institute was the hands-on experience with the latest digital humanities resources. Instead of trying to learn these tools on my own, experts took the time to walk us through each aspect of the new technologies. Large blocks of time were devoted to each resource and we were able to see what kind of projects were best suited for each one (as well as learning from some failed projects of the past). All the participants had the chance to ask questions and experiment with the tools in real time. We bounced ideas off each other and learned tips and tricks to make the resources work for our own research and teaching. I left the in-person Institute completely inspired to incorporate these resources into my research in Caribbean Studies and utilize these digital humanities tools in the classroom.

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